Dreyfuss
Robin’s extensive acting credits include television series SUNNY NIGHTS, HOME AND AWAY, BUMP, WOLF LIKE ME, WELLMANIA, COLIN FROM ACCOUNTS, THE OTHER GUY, NO ACTIVITY, THE LETDOWN, WEDNESDAY NIGHT FEVER, PAPER GIANTS: THE BIRTH OF CLEO, DOUBLE TAKE, ALL SAINTS and CNNNN.
For feature film, Robin can be seen in DIABOLIC, LITTLE MONSTERS, PIMPED, SLEEPING BEAUTY and WEST.
Theatre credits include CYRANO (Melbourne Theatre Company); THIS MUCH IS TRUE and LOOK BACK IN ANGER (Red Line Productions); HAMLET (Bell Shakespeare); LOOT and OUR TOWN (Sydney Theatre Company); THE WEB (Black Swan State Theatre Company); TWELFTH NIGHT and ALL’S WELL THAT ENDS WELL (Sport For Jove); ALL MY SONS (Darlinghurst Theatre); KILLER JOE (B Sharp); CAPTURE THE FLAG (Tamarama Rock Surfers); LORD OF THE FLIES, WHO SMOKES KOOL?, THE GREY HOUSE, BALM IN GILEAD (The Group Theatre); THIS IS OUR YOUTH, UNCLE VANYA (The Street Theatre) and ALL MY SLEEP AND WAKING, A STREETCAR NAMED DESIRE, NAMED DATSUN 120Y, SHOPPING AND FUCKING (Elbow Theatre).
Shaw
A NIDA Acting graduate, Anthony’s most recent theatre credits include Calamity Jane and Drizzle Boy for Queensland Theatre Company, A Case for the Existence of God for Outhouse Theatre and Seymour Centre and Venus & Adonis for Sport for Jove Theatre Co.
Anthony’s many other theatre credits include The Mystery of the Valkyrie (Woodward Productions), Bernhardt Hamlet, Boy Swallows Universe (Queensland Theatre Company), The Caretaker, A View from the Bridge, Death Of A Salesman (Ensemble Theatre), Romeo & Juliet, The Crucible, One Flew Over The Cuckoo’s Nest, Othello, Twelfth Night, The Comedy of Errors (Sport For Jove), Calamity Jane (Belvoir/The Comedy Theatre/Arts Centre Melbourne), The Glass Menagerie (State Theatre Company of South Australia), Assassins (Sydney Opera House/Hayes Theatre Co.), Replay (Griffin Theatre Company), Good Works, All My Sons (Eternity Playhouse) and The Lost Echo (Sydney Theatre Company). As a director, Steve Martin’s The Underpants (GLUG Award nominee for Most Outstanding Independent Production), Orphans (Red Line Productions) and Gruesome Playground Injuries (The Kings Collective).
In 2021, Anthony starred in the feature film Buckley’s Chance (Blacklab Entertainment), opposite Bill Nighy, and the feature Venus and Adonis (Sport for Jove). Anthony will next appear in Apples Never Fall for Peacock. Other television credits include Young Rock (NBC) Joe Vs Carole (Peacock) Sheilas, Australia: The Story of Us, Underbelly, Packed to the Rafters, Tough Nuts, Satisfaction and Home and Away.
Anthony is a Sydney Theatre Award winner for his performance as Rochester in The Libertine (Sport For Jove/Darlinghurst Theatre Company) and was also nominated for his performances in Inner Voices (Old Fitz Theatre), Of Mice and Men and A Doll’s House (Sport For Jove).
Scheider
Tom recently completed a national tour of Agatha Christie’s And Then There Were None, Directed by Robyn Nevin for Crossroads/John Frost Productions. Tom also starred in this year’s Australian premiere of Anna X at Red Stitch.
Tom has enjoyed an extensive international and local career in Film, TV and on stage, which includes working for every state theatre company in Australia.
Other select Theatre credits include The Death of a Salesman national tour alongside Anthony Lapaglia for GWB Productions/Andrew Henry Presents, Black is the New White (nominated for Best Play at the 2018 Helpmann Awards), Pygmalion (Sydney Theatre Company), Sunday (Melbourne Theatre Company), In the Next Room – The Vibrator Play (Black Swan State Theatre Company), Romeo & Juliet (Bell Shakespeare), Music, The Pigeons (Griffin Theatre Company), The Glass Menagerie, Blood Bank, The Queen’s Nanny (Ensemble Theatre Company). King of Pigs, Capture the Flag (Critical Stages), Of Mice and Men (Sport for Jove), Shakespeare’s R&J (Riverside), I Want to Sleep With Tom Stoppard (Tamarama Rock Surfers), Titus Andronicus, Julius Caesar (Cry Havoc) and Don’t Look Back (Perth International Arts Festival).
Film credits include: The Rooster (AACTA nominated), The Railway Man, Equals, Newness, The 11th Green, and Wasted on the Young. TV credits include: Warnie playing Australian Cricket Captain Steve Waugh, NBC’s La Brea, Miss Education, Australia: The Story of Us.
Tom is a graduate of WAAPA (West Australian Academy of Performing Arts).
Director
Luke graduated from the University of Western Sydney and the Actors’ College of Theatre and Television. His professional acting career spans over 15+ years. He has been nominated for both Green Room and Helpmann awards. In 2010 he won the Helpmann for Best Supporting Actor in a Musical for Avenue Q.
Directorial credits include: The Grandparent’s Club for producers Maree Kirkland-Morris & Lyndi Adler; Grease John Frost for Crossroads Live in 2024; In the Heights for Hayes Theatre/Sydney Opera House/Comedy Theatre/HOTA (2018 Sydney Theatre award nomination: Best Direction of a Musical); Songs for a New World for Blue Saint
Productions; Back to the 80’s – the Musical for Neil Gooding Productions; Giggle and Hoot and Friends both national tour and for ABC4 Kids; Educating Rita for Seymour Centre; Thank You For Being a Friend for Henderson/Neil Gooding Productions; Bells are Ringing for Neglected Musicals presented by Hayes Theatre Company. He was Resident Director on Peter Pan Goes Wrong for Lunchbox Theatricals, and was nominated for a 2019 Helpmann award for Best Director of a Musical for In the Heights. He was the Revival Director on Otello for Opera Australia, and Resident Director on both Shrek: the Musical (national tour) for Gordon Frost, and Cinderella for Opera Australia. Most recently Luke directed the national tour of Cluedo for Crossroads Live.
Set and Costume Design
James Browne is a WAAPA trained multifaceted designer working across theatre, film and major events.
His notable designs include the recent national tour of Grease (John Frost for Crossroads Live) and many other musicals including, Ghost- The Musical (Toho-Japan), Hair (SOH), Midnight (Aspect Entertainment), Cruel Intentions (David Venn), Cabaret (Hawk Entertainment), Xanadu (Hayes), Miracle City (Theatre Division), The Selfish Giant (Victorian Opera).
Recent plays include Cluedo (John Frost for Crossroads Live), The 39 Steps (Neil Gooding Productions). Naturism, Diving for Pearls (Griffin), The Half Life of Marie Curie (Ensemble), Primary Trust (Ensemble), Guards at the Taj (NTOP), The Great Divide (Ensemble).
Many award-winning theatre productions for young people including, Pete the Sheep, Yong and Josephine wants to Dance (Monkey Baa), Spot the Dog, The Very Hungry Caterpillar (CDP)
James has been taken all over the globe with hugely successful circus and cabaret shows, some of which continue running globally a decade on, such as Velvet (Rix Management), Blanc de Blanc, Limbo Unhinged (Strut N Fret), Cirque Stratosphere (SOH).
James has recently designed two new brand-new performance venues The Grand Electric- Sydney and the West End Electric in Brisbane.
Lighting Design
Jasmine Rizk is a lighting designer and programmer celebrated for her ability to seamlessly align lighting with musical dynamics, creating immersive experiences that enhance the emotional impact of live performance. Passionate about collaboration and innovation, she brings each project to life with designs that illuminate and elevate the artistic vision.
Recent lighting design credits include Cluedo (Crossroads), Sydney Festival Cabaret Season 2026 Wharf 1, Tina – A Tropical Love Story and Katie Noonan: Jeff Buckley’s Grace (Sydney Festival 2025), In The Heights (JR Productions), Ratburger (CDP), An Australian Songbook (Robyn Archer), Menopause The Musical (SK Entertainment), Mrock (ATYP), Jekyll & Hyde: 25th Anniversary Concerts (Concertworks), The Boomkak Panto (Belvoir), Pirates of Penzance, Well Behaved Women, Catch Me If You Can (Hayes), Small Mouth Sounds (Darlinghurst), and works for NAISDA, NTofP, Merrigong Theatre Company & SoPopera Productions.
Associate design credits include Rent (LPD & OA), City of Gold (STC/Black Swan), Opening Night, Into the Woods (Belvoir), Edward the Emu (MonkeyBaa), IDK (Force Majeure), and Sampa the Great (Volume Festival).
She acknowledges the invaluable guidance of mentors Karen Norris, Paul Jackson, Damien Cooper, and Trudy Dalgleish in shaping her career.
Original Music
Sean Peter is a multi-award-winning Australian composer, lyricist, and music producer with over 30 years’ experience across theatre, film, and television. Like the infamous mechanical shark itself, his music is most powerful when it’s felt rather than seen.
Sean has written extensively for film and television, including family features and premium children’s content for Disney, Nickelodeon, and the Australian Broadcasting Corporation. His work is grounded in story and character, whether supporting quiet, uncertain moments or helping land a big theatrical beat. The guiding principle is always the same: clarity, restraint, and emotional honesty — music that knows why it’s there and doesn’t overstay its welcome.
With The Shark Is Broken, Sean brings a light touch, a deep love of cinema, and just enough bite to remind us that great music—like great sharks—works best when you don’t quite see it coming.
Production Manager
Alex Duffy is a creative production leader with over 16 years’ experience across Australia and internationally. A NIDA Technical Production graduate (2011), Alex began in stage management on Wicked, Hot Shoe Shuffle, and Dirty Rotten Scoundrels in Australia, Singapore, and South Korea. With Michael Cassel Group, Alex was Stage Manager for Les Misérables, Kinky Boots, Beautiful: The Carole King Musical, Harry Potter and the Cursed Child, and was Production Manager for Not Now, Not Ever, the Helpmann Awards (2015 and 2017), and Darren Criss’s Australian tour. Alex was Stage Manager for A (Very) Musical Christmas in 2024, and both Production Manager and Stage Manager in 2025. Alex has been Production Stage Manager on the one-part and two-part productions of Harry Potter and the Cursed Child in Melbourne, Tokyo, and Hamburg. Alex was Senior Producer at the University of Melbourne and was Associate Producer at House of Dancing Water in Macau, and Associate Producer for OLC’s New Year’s Eve Spectacular in Dubai. Alex is Industry Partnerships & Alumni Manager at NIDA. Production Manager credits include the original Australian production of Cluedo for Crossroads Live Australia, MJ the Musical appearances on Sunrise and The Morning Show, and In The Heights.
Video Designer
A Sydney-based composer, sound and video designer with a rich background in music and musical theatre, Cameron brings precision, creativity, and atmosphere to every project. A graduate of NIDA’s Bachelor of Fine Arts (Technical Theatre & Stage Management), he has collaborated with leading companies such as Sydney Theatre Company, Sydney Dance Company, Monkey Baa, Sydney Festival, Channel 7, Pinchgut Opera, Bangarra, EndemolShine Australia, and more.
A passionate and dedicated video and sound creative, he is interested in new and innovative technology and ideas that aim to redefine art forms. He strives to introduce new and exciting experiences to a diverse range of audiences that challenge and exceed expectations. While his main focus has been theatre, he remains eager to explore other mediums and art forms, as well as ways to fuse them.
Cameron’s work as Composer and Sound Designer includes: 3 BILLION SECONDS (Blinking Light), PORT (December Theatre Co.), POSH (Queen Hades Production), ONE
WHO WANTS TO CROSS (Lost Thought Arts) Work as Video Designer includes: BETTE & JOAN, THE HALF-LIFE OF MARIE CURIE, PRIMARY TRUST (Ensemble), THE LINDEN SOLUTION (Ratcatch), DRACULA, ICARUS, WHEN THE RAIN STOPS FALLING (NIDA) Work as Sound Designer includes: A CHINESE CHRISTMAS (FooFrame Productions), FURIOUS MATTRESS (Legit Theatre Co.), PAGLIACCI, GOD OF CARNAGE (NIDA)
Work as Video and Sound Designer includes: THE WHARF REVUE: THE END OF THE WHARF AS WE KNOW IT, THE WHARF REVUE: PRIDE IN PREJUDICE, THE WHARF REVUE: LOOKING FOR ALBANESE (Soft Tread), DIANA (NIDA) Associate Designer work includes: PIRATES OF PENZANCE (Hayes Theatre Co), KULKA (Bangarra)
Work as Video Editor includes: MASTERCHEF S16, DESSERT MASTERS S2 (EndemolShine), JULIUS CAESAR (STC)
His work on A CHINESE CHRISTMAS was nominated for the KXT2025 Awards for Outstanding Achievement in Design.
LEAD PRODUCER
Storeyboard Entertainment
StoreyBoard Entertainment produce works rarely seen in Australia for audiences who demand breathtaking, original, and exciting theatre. After a successful London, Broadway and international career Adrian Storey Head of Storeyboard Entertainment immigrated to Australia and decided to produce theatre equal to that seen in London or Broadway.
This ethos has already seen results with the first professional production ‘Follies – in concert’ starring Lisa McCune & David Hobson staged in 2017 & ‘Barnum’ starring Todd McKenney in 2019. Both productions were critical and commercial successes. More recently the company invested in the London production of ‘Be More Chill’ at The Other Palace and ‘Mr Saturday Night’ starring Billy Crystal on Broadway. ‘Chess the musical’ starring Natalie Bassingthwaighte, Paulini & Rob Mills, toured Australia in 2021 playing to sell-out audiences in Melbourne, Adelaide, Perth and Brisbane.
In 2023, the first ever professionally produced production of acclaimed musical author Jonathan Larson’s ‘tick, tick…BOOM!’ starring Hugh Sheridan toured Australia to great reviews and box office success.
StoreyBoard Entertainment also acts as a general management company for “Magic Mike Live, Australia’, ‘Cirque Stratosphere’ and ‘Fiddler on The Roof’.
CO- PRODUCER
Stoddart Entertainment Group
Since its inception, Stoddart Entertainment Group has been passionate about delivering world-class theatre to audiences across Australia, New Zealand, and beyond. With a dedication to engaging equally passionate creatives and introducing new audiences to the magic of live theatre, the company has cemented its reputation as a new and exciting leader in both the local and international theatre scene.
Stoddart Entertainment Group is proud to present an expanding catalogue of productions that span musicals, plays, and concerts including major national and international tours, such as the 2025 Australasian tour of The Play That Goes Wrong, this year’s Heathers the Musical, also touring Australia and New Zealand, and develop new works such as the controversial I HATE MEN As Read By Men premiering at the Newcastle Fringe Festival. We also serve as executive producers for successful large-scale international events such as the Junior Theatre Festival Australia, now the largest event of its kind in the Southern Hemisphere.
SEG is dedicated to the development of the Australian theatre industry and its future performers, through education, career pathways, and the delivery of exceptional theatrical experiences that resonate with audiences around the world.
