Luke graduated from the University of Western Sydney and the Actors’ College of Theatre and Television. His professional acting career spans over 15+ years. He has been nominated for both Green Room and Helpmann awards. In 2010 he won the Helpmann for Best Supporting Actor in a Musical for Avenue Q.

Directorial credits include: The Grandparent’s Club for producers Maree Kirkland-Morris & Lyndi Adler; Grease John Frost for Crossroads Live in 2024; In the Heights for Hayes Theatre/Sydney Opera House/Comedy Theatre/HOTA (2018 Sydney Theatre award nomination: Best Direction of a Musical); Songs for a New World for Blue Saint

Productions; Back to the 80’s – the Musical for Neil Gooding Productions; Giggle and Hoot and Friends both national tour and for ABC4 Kids; Educating Rita for Seymour Centre; Thank You For Being a Friend for Henderson/Neil Gooding Productions;  Bells are  Ringing for Neglected Musicals presented by Hayes Theatre Company. He was Resident Director on Peter Pan Goes Wrong for Lunchbox Theatricals, and was nominated for a 2019 Helpmann award for Best Director of a Musical for In the Heights. He was the Revival Director on Otello for Opera Australia, and Resident Director on both Shrek: the Musical (national tour) for Gordon Frost, and Cinderella for Opera Australia. Most recently Luke directed the national tour of Cluedo for Crossroads Live.

James Browne is a WAAPA trained multifaceted designer working across theatre, film and major events.

His notable designs include the recent national tour of Grease (John Frost for Crossroads Live) and many other musicals including, Ghost- The Musical (Toho-Japan), Hair (SOH), Midnight (Aspect Entertainment), Cruel Intentions (David Venn), Cabaret (Hawk Entertainment), Xanadu (Hayes), Miracle City (Theatre Division), The Selfish Giant (Victorian Opera).

Recent plays include Cluedo (John Frost for Crossroads Live), The 39 Steps (Neil Gooding Productions). Naturism, Diving for Pearls (Griffin), The Half Life of Marie Curie (Ensemble), Primary Trust (Ensemble), Guards at the Taj (NTOP), The Great Divide (Ensemble).

Many award-winning theatre productions for young people including, Pete the Sheep, Yong and Josephine wants to Dance (Monkey Baa), Spot the Dog, The Very Hungry Caterpillar (CDP)

James has been taken all over the globe with hugely successful circus and cabaret shows, some of which continue running globally a decade on, such as Velvet (Rix Management), Blanc de Blanc, Limbo Unhinged (Strut N Fret), Cirque Stratosphere (SOH).

James has recently designed two new brand-new performance venues The Grand Electric- Sydney and the West End Electric in Brisbane.

Jasmine Rizk is a lighting designer and programmer celebrated for her ability to seamlessly align lighting with musical dynamics, creating immersive experiences that enhance the emotional impact of live performance. Passionate about collaboration and innovation, she brings each project to life with designs that illuminate and elevate the artistic vision.

Recent lighting design credits include Cluedo (Crossroads), Sydney Festival Cabaret Season 2026 Wharf 1, Tina – A Tropical Love Story and Katie Noonan: Jeff Buckley’s Grace (Sydney Festival 2025), In The Heights (JR Productions), Ratburger (CDP), An Australian Songbook (Robyn Archer), Menopause The Musical (SK Entertainment), Mrock (ATYP), Jekyll & Hyde: 25th Anniversary Concerts (Concertworks), The Boomkak Panto (Belvoir), Pirates of Penzance, Well Behaved Women, Catch Me If You Can (Hayes), Small Mouth Sounds (Darlinghurst), and works for NAISDA, NTofP, Merrigong Theatre Company & SoPopera Productions.

Associate design credits include Rent (LPD & OA), City of Gold (STC/Black Swan), Opening Night, Into the Woods (Belvoir), Edward the Emu (MonkeyBaa), IDK (Force Majeure), and Sampa the Great (Volume Festival).

She acknowledges the invaluable guidance of mentors Karen Norris, Paul Jackson, Damien Cooper, and Trudy Dalgleish in shaping her career.

Sean Peter is a multi-award-winning Australian composer, lyricist, and music producer with over 30 years’ experience across theatre, film, and television. Like the infamous mechanical shark itself, his music is most powerful when it’s felt rather than seen.

Sean has written extensively for film and television, including family features and premium children’s content for Disney, Nickelodeon, and the Australian Broadcasting Corporation. His work is grounded in story and character, whether supporting quiet, uncertain moments or helping land a big theatrical beat. The guiding principle is always the same: clarity, restraint, and emotional honesty — music that knows why it’s there and doesn’t overstay its welcome.

With The Shark Is Broken, Sean brings a light touch, a deep love of cinema, and just enough bite to remind us that great music—like great sharks—works best when you don’t quite see it coming.

Alex Duffy is a creative production leader with over 16 years’ experience across Australia and internationally. A NIDA Technical Production graduate (2011), Alex began in stage management on Wicked, Hot Shoe Shuffle, and Dirty Rotten Scoundrels in Australia, Singapore, and South Korea. With Michael Cassel Group, Alex was Stage Manager for Les Misérables, Kinky Boots, Beautiful: The Carole King Musical, Harry Potter and the Cursed Child, and was Production Manager for Not Now, Not Ever, the Helpmann Awards (2015 and 2017), and Darren Criss’s Australian tour. Alex was Stage Manager for A (Very) Musical Christmas in 2024, and both Production Manager and Stage Manager in 2025. Alex has been Production Stage Manager on the one-part and two-part productions of Harry Potter and the Cursed Child in Melbourne, Tokyo, and Hamburg. Alex was Senior Producer at the University of Melbourne and was Associate Producer at House of Dancing Water in Macau, and Associate Producer for OLC’s New Year’s Eve Spectacular in Dubai. Alex is Industry Partnerships & Alumni Manager at NIDA. Production Manager credits include the original Australian production of Cluedo for Crossroads Live Australia, MJ the Musical appearances on Sunrise and The Morning Show, and In The Heights.

A Sydney-based composer, sound and video designer with a rich background in music and musical theatre, Cameron brings precision, creativity, and atmosphere to every project. A graduate of NIDA’s Bachelor of Fine Arts (Technical Theatre & Stage Management), he has collaborated with leading companies such as Sydney Theatre Company, Sydney Dance Company, Monkey Baa, Sydney Festival, Channel 7, Pinchgut Opera, Bangarra, EndemolShine Australia, and more.

A passionate and dedicated video and sound creative, he is interested in new and innovative technology and ideas that aim to redefine art forms. He strives to introduce new and exciting experiences to a diverse range of audiences that challenge and exceed expectations. While his main focus has been theatre, he remains eager to explore other mediums and art forms, as well as ways to fuse them.

Cameron’s work as Composer and Sound Designer includes: 3 BILLION SECONDS (Blinking Light), PORT (December Theatre Co.), POSH (Queen Hades Production), ONE

WHO WANTS TO CROSS (Lost Thought Arts) Work as Video Designer includes: BETTE & JOAN, THE HALF-LIFE OF MARIE CURIE, PRIMARY TRUST (Ensemble), THE LINDEN SOLUTION (Ratcatch), DRACULA, ICARUS, WHEN THE RAIN STOPS FALLING (NIDA) Work as Sound Designer includes: A CHINESE CHRISTMAS (FooFrame Productions), FURIOUS MATTRESS (Legit Theatre Co.), PAGLIACCI, GOD OF CARNAGE (NIDA)

Work as Video and Sound Designer includes: THE WHARF REVUE: THE END OF THE WHARF AS WE KNOW IT, THE WHARF REVUE: PRIDE IN PREJUDICE, THE WHARF REVUE: LOOKING FOR ALBANESE (Soft Tread), DIANA (NIDA) Associate Designer work includes: PIRATES OF PENZANCE (Hayes Theatre Co), KULKA (Bangarra)

Work as Video Editor includes: MASTERCHEF S16, DESSERT MASTERS S2 (EndemolShine), JULIUS CAESAR (STC)

His work on A CHINESE CHRISTMAS was nominated for the KXT2025 Awards for Outstanding Achievement in Design.

StoreyBoard Entertainment produce works rarely seen in Australia for audiences who demand breathtaking, original, and exciting theatre. After a successful London, Broadway and international career Adrian Storey Head of Storeyboard Entertainment immigrated to Australia and decided to produce theatre equal to that seen in London or Broadway.

This ethos has already seen results with the first professional production ‘Follies – in concert’ starring Lisa McCune & David Hobson staged in 2017 & ‘Barnum’ starring Todd McKenney in 2019.  Both productions were critical and commercial successes.  More recently the company invested in the London production of ‘Be More Chill’ at The Other Palace and ‘Mr Saturday Night’ starring Billy Crystal on Broadway.  ‘Chess the musical’ starring Natalie Bassingthwaighte, Paulini & Rob Mills, toured Australia in 2021 playing to sell-out audiences in Melbourne, Adelaide, Perth and Brisbane.

In 2023, the first ever professionally produced production of acclaimed musical author Jonathan Larson’s ‘tick, tick…BOOM!’ starring Hugh Sheridan toured Australia to great reviews and box office success.

StoreyBoard Entertainment also acts as a general management company for “Magic Mike Live, Australia’, ‘Cirque Stratosphere’ and ‘Fiddler on The Roof’.

Since its inception, Stoddart Entertainment Group has been passionate about delivering world-class theatre to audiences across Australia, New Zealand, and beyond. With a dedication to engaging equally passionate creatives and introducing new audiences to the magic of live theatre, the company has cemented its reputation as a new and exciting leader in both the local and international theatre scene.

Stoddart Entertainment Group is proud to present an expanding catalogue of productions that span musicals, plays, and concerts including major national and international tours, such as the 2025 Australasian tour of The Play That Goes Wrong, this year’s Heathers the Musical, also touring Australia and New Zealand, and develop new works such as the controversial I HATE MEN As Read By Men premiering at the Newcastle Fringe Festival. We also serve as executive producers for successful large-scale international events such as the Junior Theatre Festival Australia, now the largest event of its kind in the Southern Hemisphere.

SEG is dedicated to the development of the Australian theatre industry and its future performers, through education, career pathways, and the delivery of exceptional theatrical experiences that resonate with audiences around the world.